Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I’m a collaborator there and I bring in other people, other artists and I work with a great creative design team.
I don’t design cars. I’m not a designer. I know what I desire to be built, I know what the end result is, the horsepower, the competition we’ll be working against – but I leave it to the people who work with me to put it all together. I don’t do anything.
I’m an artist. So if acting doesn’t work out, which I hope it does, I’m probably going to go into graphic design or something like that.
The big deal about the Internet design was you could have an arbitrary large number of networks so that they would all work together.
I really appreciate artists of the 20th century, and I can see a lot of their influence on my work, but to suggest that my design only fits within an ‘ism’ kind of bothers me.
A Nicklaus Design golf course is done by the guys in my company that I work with, that have been trained in my vision, and they do what they think I might do. They might come in the office and ask me questions and I’d certainly answer their questions, but I’m not involved in the site visits or anything else.
When you’re learning, especially to write, unless you’re some incredibly gifted writer, a young Malcom Gladwell, say, you need to be imitating people. You need to be imitating how they make their work, how they structure it, how they design the pieces. It gives you chops; it gives you moves.